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Culture

Antoinette d’Ansembourg Lets the Floor Give Way

Antoinette d’Ansembourg Lets the Floor Give Way

There are exhibitions you visit, and others that seem to begin before you arrive. Antoinette d’Ansembourg’s work belongs to the latter. It describes a condition already underway, something pressing through surfaces we still imagine as stable. Tout commence et finit...
Boarding Corto Maltese at Le Cadran

Boarding Corto Maltese at Le Cadran

A station is the right place to meet Corto Maltese. At Le Cadran in Liège, the former railway building becomes less an exhibition space than a point of departure. You enter the hall the way a traveler enters a platform:...
Light as Language at The Atomium

Light as Language at The Atomium

There is a particular clarity to the Atomium this year. Not nostalgia. Not spectacle. A sharpened presence. Twenty years after its reopening in 2006, the building marks its renovation not with a retrospective, but with activation. The anniversary programming makes...
KANAL: Before the Opening

KANAL: Before the Opening

In November 2026, the former Citroën garage on the Brussels canal will open as a museum. Not a symbol, not a landmark, but a sequence of public spaces designed to be used. KANAL Pompidou opens with ten inaugural exhibitions alongside...
Paradise City Begins With Names

Paradise City Begins With Names

Paradise City does not arrive all at once. It starts with a list. Twenty six names released early, read slowly, saved, shared, discussed. The festival takes shape before summer through recognition. You know some immediately. Others take time. Together, they...
Objects With Narratives: Where the Hand Thinks

Objects With Narratives: Where the Hand Thinks

In Brussels, at Objects With Narratives, the question is not what contemporary culture looks like, but how it is shaped. The gallery’s new exhibition unfolds as a quiet proposition. Meaning today may still come from slowness, from touch, from memory,...